The vocal is fantastic, delivered with an effortless poignancy… the beat is great, the chorus is sweepingly beautiful. I was in tears, because my mum and dad were in the studio too, and it was emotional." A lesser-known group (at least in the States) from the late 80s, these guys were just fantastic. This song about a plea for reconciliation from a lover who has been hurt, was an outlet for producer Vince Clarke to get his emotions out via Andy Bell’s falsetto vocal. The steamy track is decidedly more ’80s, with a drum-machine propulsion, busy guitars and a pleasing base of synths. The perma-coifed Commodores frontman's 1983 single smashes any attempts to resist its groove. I had to include it, though I was tempted to give the space to Gabriel’s “Solsbury Hill”—but “In Your Eyes” is really the more beautiful song, and one of the best and most memorable of the 80s. Now we’re getting serious. Grab your Walkman, turn up the treble and get ready to celebrate pop’s golden era with the best ’80s songs. ? Insanely popular in its home country, the song also made waves internationally, shifting millions of copies and becoming an instant karaoke classic. (who, no disrespect, doesn’t seem like the most scrutinizing music listener). Try another? “Total Eclipse of the Heart” was originally conceived as a song for a vampire—it even showed up later in Steinman’s 2002 Broadway fiasco, Dance of the Vampires—and its gothic underpinnings are front and center in the song’s lurid video. Like Bowie, she was trained in mime, giving her singles a sense of performance and movement, even if you couldn’t see the nifty videos. Oh, it’s so easy to mock U2: the bombast, the shades, the pomp… But the band’s 1987 opus, The Joshua Tree, contains three of its mightiest songs in a row, of which “With or Without You” is its most affecting. Think about it. And there aren’t many songs from the era that come with an important warning about fire safety in the chorus. Failing that, these songs at least share the ability to leave their stamp on a vast musical landscape. The best pop songs of all time are as varied and attention-grabbing as the artists who sing them. Sometimes all you really need for a truly memorable hit is economy, as proved by this stone-cold classic from 1988. Bush was discovered when barely into her teens, knocking out genius tunes on a piano in her cozy Kent, England, home. The Emotions sing 1 of their best songs, Flowers. All of that changed with "What Have You Done for Me Lately," the lead single from her third effort, Control. But for the '80s crowd, it’s a classic slow dance that stands up as one of the strongest songs of the decade. The lines below showcase a diverse list of emotional songs that give you goosebumps. Nine years later, though, he came awfully close to outdoing himself with "Sexual Healing," his first non-Motown single (released just two years before he was fatally shot by his father). Is there anyone who doesn’t like this song? Emotional 80s. It just floats along, carrying you with it. But it’s not just a great, rocking tune, it’s gorgeous as well. Odd at first glance because we also remember the 80s as a decade of truly atrocious ballads and “power-ballads” produced by hair bands and past-their-prime types… I have gleefully ignored these as beneath contempt, and instead have largely eschewed the ballad for simple, straightforward songs. I’ve been there. It was the tail end of the 80s (1989) but then out came this gem, my pick for one of the most beautiful songs of the entire decade, and for the 90s as well, in fact. Years later, he would infamously scrawl “slave” on his cheek, and emancipate himself from his given name, referring to himself by a proto-emoji. Bursting with ambition, frustration and sex, “Dancing in the Dark” is also Springsteen’s dance-floor peak, with a typically stunning sax solo by the late Clarence Clemons to top it all off. That’s why the band will be a dance-floor killer until a comet demolishes us. If you’re thinking about suicide, are worried about a friend or loved one, or would like emotional support, the Lifeline network is available 24/7 across the United States. So, in 1986 I’m in my third year of college and have known about the Cure for years… since back in high school, when they did “Boys Don’t Cry.” But one day this girl I knew came running up to me (I swear, I remember this, it really did happen) and is all excited and insists I listen to the new Cure LP, “Kiss Me Kiss Me Kiss Me” with her. You'd think that Mike Tyson air-drumming to Phil Collins's 1981 signature hit in The Hangover would've somehow sapped "In the Air Tonight" of its eerie potency. This 1982 track and its video offer everything an ’80s hit should: a synth intro, tight pants, big hair, overt pelvic thrusting, a scantily clad babe atop a muscle car and, of course, a banging chorus that you just can't help but belt out—even as you cringe at its cheese factor. The lyrics, about songwriter Kevin Rowland's youth as a sexually repressed Catholic kid, verge on dirty while remaining innocuous enough for your work-party karaoke sing-along. 11. It was part the smooth, vaguely jazzy R&B thing, part the look, part the production. Maybe not surprising, coming from a band named after an amphetamine, but the U.K. group propels the juddering rhythms of its classic 1982 single like a dynamo, chugging through tempo changes while picking up steam for the big finish. A Yamaha GS1 synthesizer is made to sound like a mbira; there’s a gong in there somewhere, for some reason. To me it’s just a great and really lovely song. And it only gets more intense from there, building a manifesto of what to take swigs at, including this gem: “Elvis was a hero to most / But he never meant shit to me / You see, straight-up racist that sucker was / Simple and plain / Mother fuck him and John Wayne / 'Cause I'm black and I'm proud.” And that’s the truth, Ruth. And a hell of a song to dance to, with all its kinetic energy and drama. So Emotional MP3 Song by Power Music from the album Biggest Loser Workout Mix - 80s Hits. 1. Fine Young Cannibals were so much weirder and cooler than you remember. The video found her strutting around New York City in a jean jacket, leather miniskirt and feather-duster hair—a bruised but defiantly happy paragon of independence. Catchier than a flytrap, more sordid than your craziest night out, Rick James hit the summit of his career with the wild funk of "Super Freak." Sniff. Ah, the 80s - whatever you thought of the fashion, 80s music was absolutely splendid? 12. Oddly, it's become the unofficial theme of the New England Revolution MLS soccer club. Okay… so you might be thinking, “this is a beautiful song?” But it is. The lyrics pour out in a nervy jumble of apocalyptic imagery, military danger and mass-media frenzy, with pointed name-drops of pop-culture figures (Lenny Bruce, Leonid Brezhnev, Leonard Bernstein and Lester Bangs) united only by their initials. The Jesus and Mary Chain's "Just Like Honey" captures a certain proto-shoegazey, bittersweet longing that pristinely characterizes the hazy milieu of the ‘80s—not to mention gave Sophia Coppola's Lost In Translation a killer outro a few seconds before the credits roll. Almost the greatest f**kin’ album I’d heard up until then. In it’s place, the lyrics. This list is really in no particular order until the very end. Everyone knows this one from “Say Anything,” with John Cusack. Hip-hop hit its golden era in the ’80s. Nobody writes grandiose heartbreak like Jim Steinman, and he’s never done it better than in this smash 1983 epic ballad for the raspy-voiced Welsh belter Bonnie Tyler. And please remember, this is not a list of the BEST songs of the 80s… merely the most beautiful. Not so much beautiful as touchingly charming, I had to include a Madness tune, and I chose this one. But in any case, these guys never did better than this, their huge smash. In its construction, arrangement, riffs and vocals, it’s damn near perfect. Eine Playlist mit über 100 Hits aus den 1980er Jahren. The '80s never lacked in over-the-top love songs even away from the big screen, but this partnership between the lead singers of '80s fixtures Loverboy and Heart, respectively, truly carried the torch for this kind of romantic power ballad. Beyond Prince and Michael Jackson, the 80s are massively underappreciated decade for R&B music despite being highly influential on the state of popular music today. And that bit that sounds like made-up gibberish? Both the decade and the music are near to my heart, since I was there as an adult to appreciate it. The trio, a splinter from the English Beat, had its roots in ska, but over two albums chiseled a new pop sound that would echo onward from Massive Attack to TV on the Radio. Harriet was one of the prettiest singers in Alternative music, too… had a huge crush on her. But the decade delivered some of music’s most emotional, teary moments, the more affecting for the fact that the vehicle is pop. Now that “I’ll Be Missing You” is nearly two decades old (gulp), that steady, ceramic, arpeggiated riff is again property of the Police. It would be easy to be consumed by envy if we weren't all being lulled into a dopey, two-stepping, love-drunk stupor. This is one of their best and certainly one of their prettiest. Pinnacle of New Wave. Serving up a heady—occasionally otherworldly—mixture of Afrobeat, funk, pop, rock, disco and psychedelia, the chorus of this existential anthem is huge enough to have stuck around for more than three decades. The message was clear: Turner’s career still had fabulous legs. So there's that. The harmonica, the wind-up chorus, all catchy and bouncy… hell of a song. Unlike its evil twin in 1980s rock, Billy Joel’s “We Didn’t Start the Fire,” the song was not a huge pop hit; on its 1987 album, Document, R.E.M. The first and biggest hit by the Norwegian electropop trio A-ha, “Take On Me,” rose to international popularity in 1985 on the strength of its groundbreaking video, a mix of live-action and pencil-drawn animation that starred dreamy lead singer Morten Harket as the hero of an escapist romance between a lonely woman and a comic-book adventurer. An amazing ballad that bowls me over everytime I hear it. In my humble opinion, this is one of the most beautiful ballads ever written, and without question the most beautiful song from the 1980s. Known for their big college radio hit “74/75.” But this song… whoa. The meme known as Rickrolling—wherein someone baits you with an enticing link, which points instead to the video for this 1987 dance-pop smash—always seemed a little puzzling to us, mainly because, like, who wouldn't want to be surprised with another exposure to this suavely buoyant megajam? I DO think my last 4 picks ARE truly the most beautiful songs from the 80s… the others you can take as you like. The appropriate response to a Cold War world that was surely doomed. 1. On Blond, Frank Ocean explored the solitude that accompanies longing. Roxy Music’s most played song on Spotify by a country mile (the runner up, “Avalon,” draws about half the audience) didn’t even crack Billboard's Top 100 in the States upon its release. And to this day, we’re betting the fanbase for the breezy sing-along fave (co-written by Jeff Lynne) still runs the gamut—from get-me-out-of-here teens to the dads they think are lame, and from snobs who wouldn’t be caught dead doing karaoke to people who live for it. (It won six MTV Video Awards.) His records were as much comedy albums and demonstrations of sampling as pretentious works of art, which made them even greater works of art. Wichtig ist, dass sie etwas mit demjenigen zu tun haben, der verstorben ist und dass sie vielleicht auch sein Lebensgefühl einfangen. Look out for your first newsletter in your inbox soon! Each and every element in the song is dancing. This song just can’t help making you smile. It’s just that they spent a butt-ton of money on everything. This 1981 platinum-certified single is essentially Australia's unofficial national anthem, incorporating country pride, lots of local slang ("fried-out Kombi," "head full of zombie") and even the tune of a popular Aussie children's song, "Kookaburra," for the flute part. The Cure frontman Robert Smith had both, and wielded the latter to devastating effect in this single from the band’s 1989 masterpiece, Disintegration. In 1984, Tina Turner was 44 years old and on the comeback trail. I’m pretty sure this song would be tops on my list of the Best Songs of the 80s, and I’m even sure I’d place it near the top list of Best Songs of All Time. Also, a hell of a date song. 45. Check out our guide to the best ’80s movies. Höre dir die besten und beliebtesten 80er Songs an. Listening to it now—and, we assume, then—that’s a tough pill to swallow. You all know it, you can all sing along. Editors’ Notes The ‘80s maximalist ideal helped make its softer songs a little more grandiose. As a cocksure teenager, Prince passed on four major-label record deals, demanding artistic autonomy until Warner Bros. granted it. If you're in an '80s cover band and you're not playing this song on a nightly basis—well, there's just absolutely no way you're not. And to this day, we’re betting the fanbase for the breezy sing-along fave (co-written by Jeff Lynne) still runs the gamut—from get-me-out-of-here teens to the dads they think are lame, and from snobs who wouldn’t be caught dead doing karaoke to people who live for it. And it only gets more intense from there, building a manifesto of what to take swigs at, including this gem: “Elvis was a hero to most / But he never meant shit to me / You see, straight-up racist that sucker was / Simple and plain / Mother fuck him and John Wayne / 'Cause I'm black and I'm proud.” And that’s the truth, Ruth. No guitar act better assimilated hip-hop than the Clash, probably because they had so much practice sponging up dub. This one’s for Jamie, though it’s not a token Kiwi inclusion. This 1985 hit by Tears for Fears is one such song, an existential meditation of sorts, opening with the line, “Welcome to your life—there’s no turning back.” It’s a serious pop song, as bassist-singer Curt Smith remarked: “It's about everybody wanting power, about warfare and the misery it causes.”. This song represents the apex of scream-along arena-scale pop-rock. The sweet sounding guitar solos encompassed with high pitched voices, drums, bass and keyboard formed the signature sound in melodic rock love songs. But it's a sweet thought. The Stones' first '80s album showed them ready for the new decade. (It carried on the college radio charts well into 92 I think). Jones liked it so much he sampled the track a decade later in “The Globe.”. 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